Why The Guardian’s Three Little Pigs commercial hits the spot

March 3, 2012

“The Three Little Pigs”, directed by Ringan Ledwidge, is the best piece of advertising to come out of BBH in a very long time.

More to the point, it’s also the best piece of advertising to come out of The Guardian, whose bar in these matters is very high.

Editor-in-chief Alan Rusbridger, explaining the ad’s rationale, makes reference to the title’s “first major brand positioning TV ad for more than 25 years”. That comment, and The Three Little Pigs’ endline – “The Whole Picture” – are informal tribute to another mould-breaking ad of its time: Boase Massimi Pollitt’s 1986 Points of View, seen here:

The verities of professional journalism do not change over the years: accuracy, balance, perspective and meticulous checking of the background facts being high among them. But, my word, hasn’t the challenge of achieving them become incomparably tougher in the intervening quarter century.

Then, journalists only had to battle with their rivals, their editors, their lawyers (and occasionally their consciences) to be the first to stand up often uncomfortable truths. Now, they must also contend with an army of citizen bloggers and social media aficionados determined, moment by moment, to put their own definitive stamp upon the great issues of the day.

Twenty-six years ago, The Guardian’s world consisted of a relatively comfortable tripartite perspective. Now, the Whole Picture is a ceaseless 24/7 kaleidoscope, made possible by near universal access to the internet. How to surf this tsunami of information, while retaining a sense of detachment and independent judgement?

Like it or not, this is the brave new world journalism must embrace, a world Rusbridger dubs “open journalism” in his repositioning statement. “People are taking part in journalism, rather than being passive recipients. That’s a mindset that says journalists are not the only experts in the world, that they can’t give an adequate account of subjects, issues, the world around them, unless they enlist others,” he says.


iPad – the newspaper industry’s false messiah

May 26, 2010

Personally, I blame the iPad. Its imminent launch here seems to have stimulated a bout of weltschmerz among newspaper proprietors, who are now outdoing each other in the gloominess of their predictions about the end of the Gutenberg era (c1453-2015, RIP).

Latest to join the swelling chorus is Pearson, owner of the Financial Times. Pearson’s director of global content standards Madi Solomon has come up with the rather snappy phrase “the sunset of print”, which FT executives expect to happen in about 5 years’ time. If anything, the 5-year estimate is a tad on the optimistic side. It could have been sooner but the financial crisis, and people’s avid interest in it, has artificially prolonged the time horizon.

Rusbridger: Prophet of gloom

Put it this way, the FT won’t be investing in any more printing presses. And nor will the Guardian or Times Newspapers (as it is still quaintly called). Guardian editor Alan Rusbridger has long claimed he felt “in his bones” that new printing presses installed at the time of the Berliner relaunch (2005) would be the last. But he originally scoped in 20 more years of production. Now he reckons that was vastly optimistic. John Witherow, editor of The Sunday Times, also predicts that his presses, installed in 2008, will be the newspaper’s last. For a fuller litany of pessimism, consult this page in PaidContent.

I hesitate to voice dissent, particularly when the consensus is so eminent, but isn’t all this pessimism a little overdone? An old adage about “cart” and “horse” comes to mind. The cart I have in mind is the so-called electronic reader, of which Kindle, the Sony Reader and iPad are the most successful examples to date.

First though, let’s go back to a fundamental issue: why do people read newspapers, as opposed to glean their information from the internet? Granted age and social conditioning may have something to do with it. But is not also true that newspapers, and for that matter most magazines, are a more enjoyable, tactile medium? The internet is excellent for any kind of search-based activity, but it can scarcely be described as a “great read”. Ah, you say, but that’s where this new, reader-friendly technology provided by iPad and its like comes in. It will make electronic browsing fun – once little glitches like flicker, eye-strain and inadequate battery life have been ironed out (as they inevitably will be in a few years’ time). No one, it seems, is subscribing more enthusiastically to this techno-salvation than newspaper proprietors themselves. In it they discern a form of commercial lifeline – a means of making internet joyriders pay for the colossal, but legitimately-engendered, costs of newsgathering – via licensed apps. A means, in short, of ditching the enormous financial burden of print and building a new and more viable commercial model.

I’d like to believe them right, but can’t bring myself to do so. There have been many annunciations over the past few years of the Coming One – the technical application that will enable us to transfer our loyalties effortlessly from paper to the electronic screen. Of those so far, the iPad holds the most promise. But, though ingenious and popular, it is likely to prove a false messiah – so far as the newspaper industry is concerned. For a start, the revenue stream from licensed products cannot possibly compete with those extracted from traditional newspapers (especially after Apple has taken its 30% cut), even if we allow for a reduced industry overhead. More importantly, what is the iPad for? Newspaper proprietors may read into it a form of salvation, but that matters little if punters don’t see it the same way. And the early indications from America are that they don’t.

Put another way, reading a newspaper via iPad is near the bottom of their user priorities. Printers, don’t despair: the press will be stuck with chopped-down trees for a good few years yet. Certainly more than five.

POSTSCRIPT. Such has been the momentum of Apple, which has just overtaken Microsoft as the world’s biggest technology company by market capitalisation, and such the success of its latest ‘tablet’ product, the iPad, that some experts are now writing the obituary of Google.

One such is Richard Holway who, in a recent presentation, claimed that a combination of Apple-sponsored apps and Facebook will “block out” Google’s sponsored search model by allowing consumers to go directly to brands and media owners.

Not so fast, says one reader of the article in which this vaulting claim appears. Sam Rothstein points out that a) nearly every phone will soon be a type of smartphone – most probably powered by a Google product, Android; b) Apple’s domination of its latest niche, the tablet, will face a similar challenge. A number of netbooks/tablets running Android are launching imminently.


McCall’s ambition takes flight

March 26, 2010

Commentary on Carolyn McCall’s decision to quit the top job at Guardian Media Group in favour of the top job at Easyjet has tended to focus on two astonishing observations. The first is that she is a woman; the second, that she doesn’t know anything about aviation. Both spot on, of course. But it’s the sly implication behind them that’s the real blinder. If she’s a woman, poor dear, she’ll be utterly outclassed in the macho world of boys toys. Whatever was she thinking of leaving the comfortable, cocooned world of GMG?

Maybe it’s just me, but I’ve never noticed Guy Zitter, Murdoch MacLennan or Les Hinton wearing a skirt. The management of newspaper publishing, in which McCall has spent most of her career, was until very recently a dauntingly masculine environment. The first to break the glass ceiling was Sly Bailey, when she took over at Trinity Mirror in 2003 – and she herself was a product of the more genteel, feminised world of magazines. Only now is change in the air, with Rebekah Brooks (formerly Wade) taking the helm at News International.

The credit for leading the way, however, should really go to Caroline Marland, once chief executive of Guardian Newspapers, and her young protegée McCall, who succeeded her in 2004. Like any disciple of talent, McCall has exceeded the achievement of her mentor – by being the first woman to head the organisation as a whole.

There’s a second, and somewhat overlooked, dimension to McCall scaling the heights of GMG. More important than being a woman, she’s an insider; whereas traditionally the job of group ceo has gone to a seasoned outsider, well versed in the ways of the City but coasting through the autumn of their career. The late Sir Bob Phillis springs to mind. For someone like McCall, in her forties and highly ambitious, this was never going to be her last job of consequence.

All the same, it was a formative experience that created a window onto the world of plcs. On the one hand, GMG is unique in being governed by a trust, whose primary purpose is not to appease shareholders but to guarantee the editorial independence of The Guardian and associated GMG newspapers. On the other, it shares exactly the same structural problem facing the rest of the print-based media, most of whom are public limited companies: how to survive the internet. It so happened that during McCall’s tenure, this crisis has come to a head, giving her the opportunity to shape the organisation for years to come.

She’s divested and she’s acquired; she has given whole-hearted commitment to an open online strategy – as opposed to the paywall route now being explored by Rupert Murdoch et al. With what results, we cannot yet be certain. The divestment of half the Auto Trader group to private equity company Apax looked a smart move; the subsequent decision to join Apax in carving up the Emap empire less so (if only because the world financial crisis intervened, making the acquisition look very over-priced). Probably, she should have closed the heavily loss-making Observer when she had the opportunity to do so – although the decision to make cuts elsewhere is entirely understandable within the context of the Trust. The success of the online strategy pioneered by McCall and Guardian editor Alan Rusbridger will be a matter of opinion for some time to come. The important point, though, is that the die has been cast.

But why, of all places, seek a new challenge in the world of aviation? In fact, the similarities between a newspaper publishing group and an airline are greater than they might seem at first sight. Both are high-fixed-cost businesses whose profitability is highly sensitive to the economic cycle. Both industries have been forced into great change in recent years, which has involved shedding costs and people. Both exist within a regulatory straitjacket that makes industry consolidation an unlikely solution to economic difficulty. Both, so far as leadership is concerned, have an entrepreneurial ‘seat of the pants’ feel to them.

I could go on…the point being that relevant, rather than previous, experience is the key requirement for the Easyjet job. Final proof being that McCall’s predecessor, Andrew Harrison, came not from the airline industry but from the RAC. He has gone on to Whitbread.

One other quality that might come in handy from McCall’s Guardian days is her skill as a boardroom tactician. The airline industry is not known for its diplomatic finesse – witness the clumsy confrontation at BA and the management style of Ryanair. But it will certainly be at a premium in the boardroom of Easyjet, where the airline’s founder and major shareholder, Sir Stelios Haji-Ioannou, has been in a smouldering feud with the management team over the airline’s strategy.

Good luck to her.


%d bloggers like this: